Free Dynamic Equalizer Plugin In For Mac
TDR Nova from Tokyo Dawn Records is a parallel dynamic free equalizer plugin for Windows and MAC. At first look it’s very familiar with a parametric equalizer, the news is that each band also includes a full-featured dynamics section. In this way, the EQ’s processor covers an impressively wide range of applications. Dec 05, 2018 Antress has developed a host of free plugins in its Modern series, including an exciter, compressor, and expander. As its name suggests, the Modern Console EQ replicates analog EQ consoles. It features an EQ In/Out and Phase switch, highpass and lowpass filters, and four frequency bands for parametric EQ.The plugin also offers gain knobs for each of its bands.
Quick Answer, in No Particular Order. EQ1A: Mellowmuse. TinyQ: lkjb. PTEq-1A: Ignite Labs. PTEq-X: Ignite Labs. QRange: lkjb. LCF: Analog Obsession.
Rare: Analog Obsession. SonEQ: Sonimus. Overtone GEQ: Voxengo. Marvel GEQ: VoxengoTop 10 Free Eq Plugins in DetailAll of the plugins on this list are completely free and can be easily downloaded from their respective websites, or from VST4Free. Every plugin on this list is both windows and OSX compatible and can be downloaded in VST or AU component file formats. A 500Hz sine wave processed with the EP1A. Notice no additional harmonics are generated.This makes the EQ1A perfect for simplistic and natural-sounding equalization.
Given its low CPU intensive design, the EQ1A is great for individual instruments as well as adding subtle equalization to a full mix.The bands included in the FEQ1A are as follows:. High Pass: 10Hz – 1kHz / sweepable Q. Low Shelf: 30Hz – 500Hz. Low-Mid Range: 70Hz – 2kHz / sweepable Q.
High-Mid Range: 500Hz – 6kHz / sweepable Q. High-Shelf: 1.5kHz – 18kHzPossible Applications:. Equalizing individual instruments. Surgical Equalization.
Stereo Mastering Equalization9. The window size can be changed by clicking the button at the bottom of the plugin.Visually speaking, the TinyQ can be set to Tiny, Large, or Huge window sizes with the simple click of a button.
Sonically speaking, the TinyQ offers nondestructive equalization, that cleanly amplifies and attenuates frequency bands.With a total of 4-bands, each band can range from 20Hz to 20kHz and can be amplified up to 24dB; a high-pass and low-pass filter are included as well. The high-pass and low-pass filters implement a smoothly parabolic “Butterworth” curve, with orders of attenuation ranging from 6dB to 48dB per octave.The “Low” band and “High” band curves can be either shelf filters or peak/bell filters.Possible Applications:. Equalizing individual instruments. Surgical Equalization8. PTEq-1A: Ignite Labs. This Pultec EQP-1A was the inspiration for the PTE-1AWith that said, you do have the option between a “sharp” or “broad” bandwidth when amplifying the high-frequency range, but this is about as complex as this equalizer allows you to be.Considering that the high-frequency boost and attenuation functions introduce two unique curves, it is possible to equalize more specifically and intentionally; however, doing so will take some finesse.The PTEq-1A also offers a “Tube” emulation function which introduces harmonic generation. This “tube” distortion can be bypassed, as can any equalization implemented to your signal.
Notice the 2nd order harmonic, at 1000Hz.The output function allows you to get more character from the tube-based harmonic generation, or to scale it back if necessary.Although the equalization curves mimic that of the Pultec EPQ-1A, the extent to which the harmonic generation accurately emulates the Pultec EPQ-1A is debatable. Keep this in mind which utilizing this free eq plugin.Possible Applications:. Equalizing individual instruments. Implementing broadband, natural-sounding equalization. Implementing “Tube” based harmonic generation. Stereo MasteringIf you’d like to learn more about tube-based harmonic generation, check out one of our blog post that covers that topic.
This top section emulates the Pultec MEQ-5.Ignite Lab’s “MQ5” offers the same “peak, dip, peak” options as the Pultec, with an overall equalization range of 200Hz to 7kHz. The first “peak” offers 5 incremental frequencies from 200Hz to 1kHz, with 13.5 dB of available amplification.The “dip” offers 11 incremental frequencies from 200Hz to 7kHz, with 17.5dB of attenuation. And the last “peak” offers an additional 5 incremental frequency steps from 1.5kHz to 5kHz, with 13.5dB of amplification available.In the middle is an emulation of the Pultec EPQ-1A, which offers the same functionality detailed in the PTEq-1A section detailed directly above; however, with advanced functionality regarding harmonic generation and tube emulation. The LCF generates odd-order harmonics.In fact, of the many plugins I downloaded to test the top free equalizers – the LCF will be one of the few that stays in my ‘components’ folder.The reason being, it introduces intricate harmonic generation in the mid-range and high frequencies. The harmonics are numerous, and oddly ordered, resulting in an intricate sound.Interestingly enough, these harmonics remain in the signal when you begin to attenuate the frequencies they occupy, while the frequencies originally in the signal are affected.
This suggests that the high-pass and low-pass filter utilize a low dB to octave cut. Even when attenuated, these harmonics remain in the signal.Although this isn’t conventional, it does offer a unique effect that you can’t accomplish elsewhere without multiple forms of processing. This makes Analog Obsession’s LCF a great option to add some character to your instrument or stem quickly.The high-pass filter ranges from 45Hz to 360Hz, while the low-pass filter ranges from 8kHz to 2kHz. But, if all you want is some analog emulation, leave these filters off and simply let the LCF harmonic generation do its work. Its harmonic generation is unique and more complex.In fact, the Rare arguably rivals the Waves PuigTec EQP1A, their take on a Pultec emulation. Granted, the Waves plugin does offer more complex harmonic generation and a VU meter, the Rare is a somewhat close second.One benefit of using the Rare is the true bypass switch it offers.
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Using this switch turned off both the equalizer and the harmonic generation, whereas the Waves model only bypasses the equalization. This, of course, can become an issue if you’ve assumed that the bypass switch turned all aspects of the plugin off.The interface of the Rare is visually pleasing, and closely replicates what one would expect when looking at a Pultec.
If you want the next best thing to the Waves PuigTec EQP1A, the Rare is a great place to start.Possible Applications:. Equalizing individual instruments. Implementing broadband, natural-sounding equalization. Implementing “Tube” based harmonic generation. Stereo Mastering3.
SonEQ: Sonimus. The SonEQ offers a simplistic design with some unique features.The SonEQ is a 3 band equalizer and includes a “low-pass”, as well as a “high-pass” filter. The interface is simplistic and is good for creating natural-sounding, broadband equalization curves.The low and high bands implement a shelf filter, whereas the mid-band uses a bell curve. The low band and high band are adjustable in 4 increments, whereas the mid-channel is sweepable from 150Hz to 4kHz.Design-wise, Sonimus made some interesting, albeit unnecessary choices. The primary offense is a “VU” meter that is used to measure the drive function – essentially this “VU” doesn’t truly serve a purpose, as it simply indicates that more harmonics are being added, something any user would understand by simply increasing the drive function.
The harmonics it introduces are more complex and numbered.Additionally, the routing capabilities of the Overtone GEQ require some time to understand as they can become complex quickly, given this plugin’s emphasis on flexibility.Lastly, you can increase the oversampling of the plugin up to 8 times the native sampling rate (although doing so will most likely be unnecessary for most stereo applications).Keep in mind that all of these options results in a higher CPU.Possible Applications:. Implementing harmonic generation. Stereo Mastering1. Marvel GEQ: Voxengo.
If anyone has any insight on this plugin, please let us know!When searching for these plugins, I came across a lot that were highly rated, and seemingly enjoyed by many. One of the most popular I came across was the “Luftikus” by lkjb (same makers of the TinyQ and QRange plugins listed above.)Given the immense popularity of the plugin (37 votes resulting in an overall rating of 4.8 stars out of 5 on VST4Free) I expected the plugin to be great; however, when testing it I came across some very unexpected results.When increasing the gain of any of its 5 reportedly half-octave bands, the entirety of my signal was amplified. By this, I don’t mean that the overall dB of my signal was increased, I mean that all frequencies were amplified – not just the one I tried to intentionally amplify.After some testing, I found that instead of a half-octave Q as reported by the developer, the Q of each of the 5 bands was closer to 6 octaves – which would explain why increasing the amplitude of one band would increase the amplitude of all other frequencies.Additionally, the 40kHz shelf seems to have the same issue. Increasing the amplitude of this 40kHz frequency seems to somehow amplify frequencies as low as 20Hz.Despite these issues, people seem to love this plugin.This isn’t to say you shouldn’t download it – after all, it is free; however, at this point, I’m not entirely sure what it can be used for.Want to learn more about how Q’s can affect the bandwidth, and can easily be set to octave-based settings? Take a look at our blog post. The components folder contains the majority of your plugin components.Step 3: Drag and drop the AU unit into the ‘Components’ folder.
If given the option, used the 64-but component, as this will most likely be the correct bit-depth for your DAW.Step 4: With the AU unit in the ‘Components’ folder, open your DAW. The plugin should automatically show up in your available inserts list. If not, scan your plugins and try again. ConclusionHopefully, some of these plugins will be useful to you. If you’re ever curious how to determine if a plugin offers some new functionality you don’t have with your other plugins, don’t hesitate to test it out using some test tones and a frequency analyzer.Regardless, some of the plugins listed above offer some of the functionality that popular and sought after plugins offer. If you’re looking to save a little money on the software side of things, or maybe you only want a few basic plugins, these plugins will all work well.If you’re looking to have your music mastered, using analog equipment, not plugins, you can send it to us here.